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-- A Petroglyph Panel at Chillihuay, Peru. The Rock Art Site of Calartoco – Chile El Vagón Violated (Peru). The Cupules of Cerro La Cal, Peru Petroglyphs at Cerro Mal Paso, Peru “Trophy” Head # 42 at Toro Muerto? New “Snake” Petroglyphs – Vítor Valley, Peru A New “Venus” Cross Petroglyph Commenting on Rozwadowski and Wołoszyn Animated Abstracts in Majes Rock Art Imaoun – Morocco: the Venus Cross Petroglyphs of Tourirt-n-Tislatine – Morocco Petroglyphs of Imaoun-3A – Southern Morocco Petroglyphs of Tizounine. Southern Morocco The Petroglyphs of Jebel Youmkat, Morocco The Archers of Oum el Aleg, Morocco A Study of Boulder AP3-065 – Peru Majes Rock Art – evaluating a thesis The “Camelines” of Toro Muerto The Case of Boulder AP3-098, Alto de Pitis Personaggi dell’arte rupestre della Valcamonica: Emanuele Süss Personaggi dell’arte rupestre della Valcamonica: Giovanni Marro Personaggi dell’arte rupestre della Valcamonica: Giovanni Marini Personaggi dell’arte rupestre della Valcamonica: Battista Maffessoli Personaggi dell’arte rupestre della Valcamonica: Jack Belmondo Personaggi dell’arte rupestre della Valcamonica: Raffaello Battaglia The Case of Boulder AP3-060, Alto de Pitis, Majes Valley Paolo Emilio Bagnoli and photometric 3D applied to rock art Vivere con l’arte rupestre nelle Alpi Rock Art at Torán, Majes Valley, Peru Rock Art at Punta Colorada, Majes, Peru The Case of Boulder AP3-172, Majes, Peru The Petroglyphs of Cerro San Diego, Peru The Origin of the Cochineros Bird A New Petroglyph Site in the Palpa Valley Music in Majes Valley Rock Art, Peru The Case of Boulder AP1-001, Alto de Pitis, Peru. Quebrada de La Tuna – Southern Peru The Mislaid Beringa Petroglyph Vandalism and Falsification of Rock Art Los Petroglifos de Pariacha, Perú Los Petroglifos de Purunhuasi, Perú El Arte Rupestre del Valle de Huarmey Vítor Valley Rock Art Sites: Tacar The Rock Art Site of La Laja – Peru The Petroglyphs of Cuesta de la Pachana and Miraflores Il Ciappo di Varegina – Finale Ligure The Status of Sector-X – Toro Muerto, Peru Why Selecting Mollebaya Chico ? The Rock Art of La Caldera, Southern Peru Updating the Rock Art near Huaca Blanca, Peru Palamenco and the Shooting Male Petroglyphs and a New Geoglyph in the Sama Valley Valcamonica Rock Art Fieldwork 2021 The Cíceras “Carcancha-Bird” Petroglyphs – Majes, Peru War and Weapons in Majes Style Rock Art? New Pictographs at Guatin – Northern Chile Contextualising the Geoglyph of Huacán, southern Peru Valcamonica Symposium 2021 Serrated Edges in Rock Art The Enigma of the “Feathered Homunculus”, Peru Cervidi in Valcamonica e nelle Alpi Guardando i monti e i passi Feline Petroglyphs in the Majes Valley, Peru Wishes from Naquane Great Rock L’Antece degli Alburni, condottiero o divinità? Progetto Cer.Val. – Cervidi della Valcamonica New “Carcancha” Petroglyphs in Arequipa, Peru Filippo Gambari, archeologia e arte rupestre False Information Concerning Majes Rock Art, Peru L’arte rupestre schematica del Riparo Ranaldi TRACCE Online Rock Art Bulletin 46 – October 2020 Les cavaliers dans l’art rupestre. Le cas du Maroc Valcamonica, visit the Great Rock ! Valcamonica, visita la Grande Roccia ! Naquane, Valcamonica, the Great Rock Naquane, Valcamonica, la Grande Roccia L’arte rupestre della Valcamonica in 20 minuti Valcamonica rock art in 20 minutes Defecating Elephants in Messak Rock Art – An Anomaly? Enfrentando los dibujos… ¡otra vez! (Perú) The Three Rivers 3D Masks Quadruped animals and spirals TRACCE Online Rock Art Bulletin 45 – December 2019 Valcamonica Rock Art Fieldwork 2020 A ‘Unique’ Petroglyph Scene in Southern Morocco The Rock Art of El Vagón – Moche Drainage, Peru Enigmatic Configurations in Arequipa Rock Art, Peru TRACCE Online Rock Art Bulletin 44 – July 2019 Cuevas con arte rupestre Paleolítico en Cantabria The Incomplete Versus The Unfinished Calling Cards: a New Plains Rock Art Site Type Balma dei Cervi Virtual Museum, inauguration Balma dei Cervi, make-up a story about… Balma dei Cervi, at the roots of our prehistory Balma dei Cervi, archaeology and research Benvenuti a Crodo, welcome to Crodo! The Cupules of the Imaoun Complex, Southern Morocco Valcamonica fieldwork 2019, again rock art! TRACCE Online Rock Art Bulletin 43 – December 2018 The Ranaldi Shelter in Basilicata (Italy) Balma dei Cervi, educational booklet The Saluting Anthropomorph in the Rock Art of the Americas Long Distance Diffusion of Rock Art Motifs in the Americas Indifferent Obliteration of Petroglyph Art The ‘Trophy-Bird’ of Alto de Pitis Valcamonica fieldwork 2018, join rock art! Una Actualización del Arte Rupestre del Cerro la Puntilla, Perú Una Actualización del Arte Rupestre de Chumbenique – Perú TRACCE Online Rock Art Bulletin 42 – December 2017 Una Actualización del Arte Rupestre de Mayasgo-1 (Perú) ‘Petroglifos’ Aviformes Tridimensionales (Perú) Un Sitio Rupestre Poco Conocido en Chicama, Perú Aiapaec in Andean Rock Art ? Actualización del arte rupestre de Cojitambo, Perú PERSONAJES DE RANGO Y EMBLEMAS DE PODER – PERÚ Actualización del arte rupestre en la cuenca del río Virú Up-Dating the Rock Art of Quebrada del Felino, Peru Petroglifos en Yarabamba, Perú: ¿Aplacandos los Apus? Petroglifos Únicos en Ariquilda, Chile TRACCE Online Rock Art Bulletin 41 – May 2017 Naquane, festa dei musei Learn rock art: Valcamonica fieldwork 2017 Roccia dei giochi, il libro IFRAO 2018: call for session proposals IFRAO 2018: invito a presentare sessioni Los Petroglifos de Tintín, Sihuas, Arequipa, Perú TRACCE Online Rock Art Bulletin 40 – December 2016 The Petroglyphs of Chumbenique, Zaña, Peru L’arte rupestre di Böyük Daş in Gobustan, Azerbaijan Los Bordes Aserrados de las Rocas de Chuquillanqui, Perú Kuntur Wasi, Peru: Architectural Art or Rock Art ? The Frontal Insignia-Tumi Coppelle, per Giove! Visita virtuale al Ròch dij Gieugh Sobre Dibujos de Arte Rupestre (Andino) Roccia dei Giochi, Roccia di Giove Try this! Cup-marks gigapano TRACCE Online RA Bulletin 39 special issue – July 2016 Valcamonica, fieldwork and lectures summer 2016 La paura del ritorno: sepolture “anomale”… Facies locorum – paesaggi e arte rupestre Rock art across Australia Piovono capre: i capridi nell’arte rupestre dell’Iran Water supply of the fortress Gala Abu Ahmed TRACCE Online Rock Art Bulletin 38 – May 2016 Icons That Travel El Arpa en el Arte Rupestre Andino Valcamonica, fieldwork 2016 The Avian Staff Bearer TRACCE Online Rock Art Bulletin 37 – October 2015 Usseglio, Alpine cults, archaeology and rock art Seradina 12, Valcamonica, 83 years of research The Potash Sheep Shifters AsTrend, ancient carvings enhanced CAA 2016, call for papers Maçaõ: The art of Prehistoric societies Val Meraviglie e Fontanalba (Barocelli 1921) Rock Art in Jebel Akhdar, Oman The Case of Guelta Oukas, Morocco Footprints in the Alps – pediformi nelle Alpi Val Meraviglie e Fontanalba – Tavole (Barocelli 1921) TRACCE Online Rock Art Bulletin 36 – May 2015 Save Mount Latmos rock art! (petition) New Anthropomorphic Figures from Jebel Rat Mt. Bego, a rediscovered manuscript Rock Art at Ischigualasto, and more … Latmos Mountains (Turkey), endangered rock paintings Phaistos, Crete, cup-marks and other signs L’arte rupestre dell’età dei metalli Phaistos Palace, mason’s marks photogallery Phaistos Palace, kernoi photogallery Maroc, programme “Paysages Gravés” TRACCE Online Rock Art Bulletin 35 – Mar 2015 Chile, Photographic recording and digital enhancement Spanish rock-art documentation, the ARAM project Biological activity tracking on cave art sites Northern Scandinavia rock paintings: NIR analysis Great Rock of Naquane, digital practices Rock-art photometric Stereo 3D visualizations Extensive rock-art panels, computer aided recording 3D scan, a support for Petroglyph analysis Archaeoacoustics of rock art Photogrammetric techniques at Campo Lameiro, Galicia AaATec, a resource for archaeological communication TRACCE Online Rock Art Bulletin 34 – Dec 14/Feb 2015 Chauvet-Pont d’Arc cave, grand opening! Valcamonica, Rock Art Fieldwork 2015 Signs of Infinity at Aït Ouazik, Southern Morocco Podomorfos, footprints, pediformi, pédiformes 15 years of Rupestreweb, 12 new papers online Chenal shelter, six thousand years of iconography Valcamonica Symposium 2015 La Grotte Chauvet-Pont-d’Arc (EuroPreArt) I’M CHARLIE FB and rock art serendipity 1 Reflecting (on) Petroglyphs: Two Cases TRACCE Online Rock Art Bulletin 33 – Nov 2014 Arte rupestre australiana: conferenze Magura Cave paintings, Bulgarian rock art CAA 2015, computer and rock art studies Magura cave photogallery Bulgarian rock art: the Madara rider Saint Vincent, nuove incisioni rupestri preistoriche Bric Ercea, Finalese, petroglifi e manufatti litici TRACCE Online Rock Art Bulletin 32 – May-Jul 2014 The Felines of Foum Chenna, Morocco Ricerca in Valcamonica, quale futuro? Le manifestazioni del sacro e l’età del Rame Chiza, Interpreting Digitally Restored Petroglyphs 2014 IFRAO Guiyang Congress Chenal: il riparo inciso – the engraved shelter Valcamonica, Museo Nazionale della Preistoria TRACCE Online Rock Art Bulletin 31 – Mar 2014 Prehistory popularisation: a de profundis? La scoperta del riparo di Morricone del Pesco Valcamonica, 2014 Rock Art Fieldwork & Field School The Motocachy Pampa Disaster, Peru Elephas antiquus depicted at Vermelhosa rock art? Palaeolithic rock engravings at Vermelhosa BEPA, online i primi due numeri Testimonianze megalitiche presso lo Sparossino TRACCE Online Rock Art Bulletin 30 – Jun 2013 TRACCE Facebook posts April-June 2013 Taurini Celtic tribe meets Roman Legion at Turin Rupestreweb, May-August 2013 new papers online The Ibexes Rock Danni alla Pera ‘d la Spina – The Thorn Rock damaged Giornata della Preistoria – Prehistory day Il Finalese: commerci e cultura megalitica nella preistoria Rock Art Studies Bibliographic Database updated The Carcancha and the Apu TRACCE Online Rock Art Bulletin 29 – Mar 2013 Mount Bego, XIX century research history Corografia delle Alpi Marittime (Gioffredo 1660, 1839) Voyage aux alpes Maritimes (Foderé 1821) The Meraviglie (Moggridge 1869) Sculptures préhistoriques, Merveilles (Clugnet 1877) Une excursion aux Lacs des Merveilles (Henry 1877) Étude sur les sculptures préhistoriques (Blanc 1878) Gravures sur roches, Lacs des Merveilles (Rivière 1879) Iscrizioni simboliche preistoriche (Navello 1884) Iscrizioni simboliche, Lago delle Meraviglie (Prato 1884) Alpi Marittime. Escursioni ai monti… Bego (Ghigliotti 1884) I laghi delle Meraviglie e Fontanalba (Celesia 1886) Le rupi scolpite delle Alpi Marittime (Issel 1901) TRACCE Online Rock Art Bulletin 28 – Jan 2013 Valcamonica, 2013 Rock Art Fieldwork & Field School Megalitismo in Val Ceresio Rupestreweb, 17 new papers online L’età del Rame – The Copper Age Entre Mont Bego et Val Camonica Oukaimeden, a Moroccan rock art site Croci cristiane rupestri TRACCE 2012 top 100 TRACCE Online Rock Art Bulletin 27 – Dec 2012 Piero Barocelli, a rupestrian archeology pioneer Megalitismo e nuove ipotesi di ricerca Looking at Ubaye petroglyphs with a candid eye TRACCE Online Rock Art Bulletin 26 – Jul 2012 Topografiche: culture e colture, potere e poderi… Alle origini dell’arte Archaeology in Finalese Area (Western Liguria) Mappe di Pietra – Stone Maps Valcamonica&Valtellina, novità dalla ricerca The strange case of snow-circles and cup-and-rings The Dolmen at Monticello near Finale Ligure TRACCE Online Rock Art Bulletin 25 – Mar 2012 2012: archeologia rupestre a Paspardo, Valcamonica Valcamonica, 2012 Rock Art Fieldwork & Field School Gavrinis, une approche multiscalaire TRACCE is back again – TRACCE ritorna TRACCE welcome pack – book offer “Praying figures” in Valcamonica rock art Rock art in the western Alps: research, methods… Statue stele del gruppo Valcamonica-Valtellina Paspardo: le raffigurazioni topografiche TRACCE Online Rock Art Bulletin 24 – Dec 2011 The rock art tradition of Valcamonica-Valtelllina Following Arianna’s Thread Symbolic Figures Pietre incise e arte rupestre TRACCE Online Rock Art Bulletin 23 – Jan 2011 Il Riparo Sotto Roccia di Pian del Ciliegio Valcamonica-Valtellina: the state of research L’arte rupestre delle Alpi occidentali ed orientali… Cavour, deturpate le pitture rupestri neolitiche L’arte rupestre in Valle d’Aosta… Alpi Occidentali, quadro generale … TRACCE Online Rock Art Bulletin 22 – Sep 2010 Arma Strapatente: struttura megalitica Manufatti Litici del Castelliere di Verezzi Valcamonica Archaeology-Rock Art Fieldwork TRACCE Online Rock Art Bulletin 21 – Mar 2010 Sentinelle di Pietra – Stone guards Sui Sentieri dell’arte rupestre – again available La castagna della Vallecamonica La Spada sulla Roccia – a new rock art book Osservazioni su un sito nei pressi di Finale Ligure TRACCE Online Rock Art Bulletin 20 – Jan 2005 Montpedrós Rock Art Rock art and archaeology in Syria Valcamonica, vandalismo! Warriors and duels in Valcamonica rock art Big Problems this Summer for American Rockart! TRACCE Online Rock Art Bulletin 19 – Jul 2004 Oxalate conference – call for papers Encuentro Arte Rupestre PERU Nuevas representaciones de arte paleolítico New Website on Rock Art in Bolivia TRACCE Online Rock Art Bulletin 18 – Mar 2004 Jornadas Transmontanas de Arqueologia Quebrada de Santo Domingo update La Pera Cunca ed il Truchet Ancient Visions: the Tukudika People petroglyphs New Megalithic Portal features Australian Rock art tour 2004 TRACCE Online Rock Art Bulletin 17 – Dec 2003 Rock Paintings and engravings in Namibia Urgent Rock Art Sos – FUMHAM Quebrada de Santo Domingo: save geoglyphs TRACCE Online Rock Art Bulletin 16 – Aug 2003 MEGART – The Megalithic Art of… Perché hanno fatto le coppelle? How do we recognise rock art? Preservation of Rock Art Dating and (up)dating Valcamonica rock art Manzanez mill rock art: a destroyed sanctuary Hannibal was here La Roccia falsaria TRACCE Online Rock Art Bulletin 15 – Mar 2003 Intensive Course on European Prehistoric Art Censimento delle incisioni rupestri della Bessa TRACCE Online Rock Art Bulletin 14 – Nov 2002 A diabolical metamorphosis The risks of the new Italian act Dams and Rock Art: a match made in hell Discovering Southern African rock art Archeoastronomia, Paleoastronomia e Megalitismo November 8 1994: Côa Valley, a date to remember Breakthrough for Dampier rock art Jean Clottes no Porto Bhimbetka cave paintings (India) Analisi probabilistica delle “Rose” di Sellero L’analisi delle configurazioni di coppelle Arte schematica e coppelle The rhombus: a very frequent rock art sign Urgent assist: petroglyphs Le rocce segnate Manual de arte rupestre de Cundinamarca Guide of Good Conduct to Prehistoric Art Rock Carvings in the Borderlands Save Dampier rock art EuroPreArt, the project The EuroPreArt database system TRACCE Online Rock Art Bulletin 13 – Apr 2001 8.2.2002 – Black Day for Rock-Art Guadiana last day The Molino Manzanez site Portugal: damned dams again The plight of Portuguese rock art UISPP motion for the Guadiana rock Art The IFRAO position A posição do IFRAO European project statement The LINKS page Alqueva Dam in southern Portugal Minimisation? It works (IMHO)! Alqueva SOS petition Guadiana rock art gallery – Spanish side Guadiana rock art gallery – Portuguese side Los Molinos de Cheles TRACCE Online Rock Art Bulletin 12 – Feb 2000 Solidarity for Archaeologist Appeal Establishment of a Global Archive Third AURA Congress Recording Symposium Aesthetics and Rock Art II Symposium Simposio de Estética y Arte Rupestre II Rock Art in Africa Symposium Valcamonica Fieldwork 2000 Utah Rock Art field School Summer 2000 EuRockArt email list NEWS ’95 – International Rock Art Congress Karedaran – the computer database of rock art The Book of Stars Why the Eland? Industrialization versus rock art Ancient Rock Carvings of Hong Kong Hong Kong, Wong Chuk Hang rock carving Grotte Chauvet Archaeologically Dated Archaeology of the Côa Valley Nuevas pinturas rupestres en Extremadura Palaeolithic Rock Art in the Austrian Alps? Two enigmatic petroglyphs on Fuerteventura Paspardo, due nuove rocce istoriate Paspardo, two recently discovered rocks A rock record in the western Alps Le Vie del Ferro, Iron Ways, Les Routes du Fer Les Routes du Tissu Arte Rupestre e Didattica La Galleria d’arte – The Art Gallery Drawings from the summer ’99 fieldwork Alpine Rock Art Screen Saver TRACCE Online Rock Art Bulletin 11 – Feb 1999 Rupestre – Arte Rupestre en Colombia Rupestre – Rock Art In Colombia A conclusão do levantamento de arte rupestre The conclusion of the rock art survey (part **) Conservation Project of Rock Art Rock Art in Russian Far East and in Siberia Depictions of nine men’s morris Figures of boat in the rock art of Valcamonica Printing Digital Images Recording British Rock Art Digital auto-tracing (inline PPT to PDF) Digital auto-tracing Digital Image Processing Quantitative Assessment of Rock Art Recording Computers and Rock-Art session TRACCE Online Rock Art Bulletin 10 – May 1998 Alla scoperta del nostro passato Discovering the Past Sui Sentieri dell’Arte Rupestre Walking on the Rock Art Paths Rock and Roll with the Camunnians International Prehistoric Art Conference The Sword on the Rock The Swastika Stone The motif of the “Camunian Rose” The Man of Bicorp Looking Back at Four Years of Advocacy Rock Art in the Himalayas A conclusão do levantamento de arte rupestre The conclusion of the rock art survey (part *) Petroglyphs dated in Central Bolivia Orientalizing motives in alpine rock art The Trowel and the Drum Sub-Saharan Rock Art TRACCE Online Rock Art Bulletin 9 – Oct 1997 1997 Congress pre-acts: index 1997 Congress timetable La via delle Aquane Elementi della tradizione iniziatica Pattern and Function at Jeffers Petroglyphs Preliminary Report Giocare sulla pietra Côa Valley three years after Bronze Age sculpted caves in the Périgord Nuove figure schematiche antropomorfe La Gardette, sky-line at 125° N Prehistoric paintings in the Val De Varri’s cave Rock-Carvings from the Geghamian Range Rio Sabor Rock Art discovery La roccia degli stambecchi Meaning in the rock-engravings of Mont Bégo Incisioni rupestri in Valvarrone Sistemi di aratura in ambito alpino Weapons in Bronze Age Rock Art Deposizioni di armi durante l’età del Bronzo L’arte rupestre della Valtellina Centrale – A L’arte rupestre della Valtellina Centrale – B L’arte rupestre della Valtellina Centrale – C Alpi Occidentali, gli ultimi studi di Arte Rupestre Valtellina, ultime ricerche de Le Orme dell’Uomo Valcamonica and Valtellina Rock Art, sun images Nuove pitture rupestri nelle Alpi Occidentali Settlements in topographic engravings Simboli solari ? Attenzione alle macine incompiute! “Praying figures”, chronology and interpretation Axes on Valcamonica and Valtellina stelae The “Camunian Rose” in Valcamonica rock art A Copper Age ceremonial site in Val Camonica Paspardo, Valcamonica. Ricerche 1990-97 L’arte rupestre di Campanine (Valcamonica) Nuovi siti con incisioni rupestri in Valle Camonica Valcamonica, architectural representations The map of Bedolina, Valcamonica Rock Art Discovery of rock paintings in Val Camonica DNA in rock art Computer techniques applied to Rock Art Proposta di metodologia Valcamonica, analisi delle tecniche di incisione Microbiology and protection Rock Art in the world of the school Round Table Affiliated events General Information TRACCE Online Rock Art Bulletin 8 – Jul 1997 Call for papers Rock art studies: NEWS of the world I Call for sessions proposals Cochabamba 2nd International Congress Toro Muerto Paul Bahn’s report Toro Muerto (Peru) Slide scanning Digital image processing Funny petroglyphs II The Salomon’s knot Sasso delle Fate prehistoric petroglyphs New Course in Rock Art Studies (Australia) Following Tracks (Namibia) TRACCE Online Rock Art Bulletin 7 – May 1997 Call for papers Funny petroglyphs The “Camunnian Rose”, Valcamonica Rock Art Scratched horses in a relief Jack Belmondo – in memoriam Pakistan Rock Art Photo Gallery Die Felsbildstation Shatial (Pakistan) Karakorum Highway Rock Carvings Pakistani Petroglyphs IFRAO meeting III Coloquio Internacional de Arte Megalítico URARA 17th Annual Symposium Crossing Frontiers 2nd International Congress RockArtNet Iconographic Database Save Petroglyph National Monument Tracing the Past The Folk Culture Museum* at Bhimtal The petroglyphs of Santinho Beach TRACCE Online Rock Art Bulletin 6 – Jan 1997 Links and short news “Topographic” Engravings (Alpine arc) part **** The Graffiti in Camunnian Rock Art The Virtual Museum of Stelae-Statues Rupestrian Archaeology Vale de Vermelhosa: scale drawings TRACCE Online Rock Art Bulletin 5 – Nov 1996 Links and short news Rock Art newsletters and reviews The village named Camuna… Use of non destructive X-Ray Diffraction Analyses Côwa Valley joke… Do it nice or give you the truth? The geology of the Douro and Côa Valley Vermelhosa rock 1, palaeolithic figures Vermelhosa Iron Age rock art The Vermelhosa site From the Dam to the Park Côa Valley: the Discovery De Foz Côa à l’ensemble du territoire Portugais Sliding into enlightenment Petroglyph National Monument in New Mexico Upside Down Kudu Rock art research, a science without a name Australian Developments in the Dating of Rock Art TRACCE Online Rock Art Bulletin 4 – Jul 1996 Links and short news The Sun, the Moon and the helping deers “Topographic” Engravings (Alpine arc) part *** The State of the Research part *** Rock Art in Santa Catarina Island Aboriginal Rock Art A question of skin The Côa Valley affair TRACCE Online Rock Art Bulletin 3 – May 1996 Rock Art newsletters and reviews Links and short news Medieval rock engravings at S. Maria del Giudice (Lucca , Italy) Why Rock Art? A New Rock from Naquane Valcamonica Rock Art: the Architectural Representations The Mid-America Geographic Foundation “Topographic” Engravings (Alpine arc) part ** The State of the Research (Alpine Arc) part ** Galician Petroglyphs in the valley of the river Lérez, Pontevedra Ossimo Chalcolithic site (Central Alps) A question of style – Direct Dating vs. Rupestrian Archaeology? Some corrections about the Côa petroglyphs The Peterborough Tragedy (Canada) TRACCE Online Rock Art Bulletin 2 – Mar 1996 Guestbook & new features Short news and appointments Archeo-links, rock art links (“retro” web) “Topographic” Engravings (Alpine arc) part * The State of the Research (Alpine Arc) part * Rock no. 20 of Redondo (Valcamonica) Petroglyphs and Pictographs of Missouri Rock Art and Lilliputian Hallucinations Rock Art in Colombia Rock Art & the WEB TRACCE Online Rock Art Bulletin 1 – Jan 1996 New Iron Age engraved rocks found in western Alps Rupe Magna, the biggest engraved rock in the Alps Direct dating: does it work? Cemmo boulders menaced by a road
Ascending order (post date)
-- Cemmo boulders menaced by a road Direct dating: does it work? Rupe Magna, the biggest engraved rock in the Alps New Iron Age engraved rocks found in western Alps TRACCE Online Rock Art Bulletin 1 – Jan 1996 Rock Art & the WEB Rock Art in Colombia Rock Art and Lilliputian Hallucinations Petroglyphs and Pictographs of Missouri Rock no. 20 of Redondo (Valcamonica) The State of the Research (Alpine Arc) part * “Topographic” Engravings (Alpine arc) part * Archeo-links, rock art links (“retro” web) Short news and appointments Guestbook & new features TRACCE Online Rock Art Bulletin 2 – Mar 1996 The Peterborough Tragedy (Canada) Some corrections about the Côa petroglyphs A question of style – Direct Dating vs. Rupestrian Archaeology? Ossimo Chalcolithic site (Central Alps) Galician Petroglyphs in the valley of the river Lérez, Pontevedra The State of the Research (Alpine Arc) part ** “Topographic” Engravings (Alpine arc) part ** The Mid-America Geographic Foundation Valcamonica Rock Art: the Architectural Representations A New Rock from Naquane Why Rock Art? Medieval rock engravings at S. Maria del Giudice (Lucca , Italy) Links and short news Rock Art newsletters and reviews TRACCE Online Rock Art Bulletin 3 – May 1996 The Côa Valley affair A question of skin Aboriginal Rock Art Rock Art in Santa Catarina Island The State of the Research part *** “Topographic” Engravings (Alpine arc) part *** The Sun, the Moon and the helping deers Links and short news TRACCE Online Rock Art Bulletin 4 – Jul 1996 Australian Developments in the Dating of Rock Art Rock art research, a science without a name Upside Down Kudu Petroglyph National Monument in New Mexico Sliding into enlightenment De Foz Côa à l’ensemble du territoire Portugais Côa Valley: the Discovery From the Dam to the Park The Vermelhosa site Vermelhosa Iron Age rock art Vermelhosa rock 1, palaeolithic figures The geology of the Douro and Côa Valley Do it nice or give you the truth? Côwa Valley joke… Use of non destructive X-Ray Diffraction Analyses The village named Camuna… Rock Art newsletters and reviews Links and short news TRACCE Online Rock Art Bulletin 5 – Nov 1996 Vale de Vermelhosa: scale drawings Rupestrian Archaeology The Virtual Museum of Stelae-Statues The Graffiti in Camunnian Rock Art “Topographic” Engravings (Alpine arc) part **** Links and short news TRACCE Online Rock Art Bulletin 6 – Jan 1997 The petroglyphs of Santinho Beach The Folk Culture Museum* at Bhimtal Tracing the Past Save Petroglyph National Monument RockArtNet Iconographic Database 2nd International Congress Crossing Frontiers URARA 17th Annual Symposium III Coloquio Internacional de Arte Megalítico IFRAO meeting Pakistani Petroglyphs Karakorum Highway Rock Carvings Die Felsbildstation Shatial (Pakistan) Pakistan Rock Art Photo Gallery Jack Belmondo – in memoriam Scratched horses in a relief The “Camunnian Rose”, Valcamonica Rock Art Funny petroglyphs Call for papers TRACCE Online Rock Art Bulletin 7 – May 1997 Following Tracks (Namibia) New Course in Rock Art Studies (Australia) Sasso delle Fate prehistoric petroglyphs The Salomon’s knot Funny petroglyphs II Digital image processing Slide scanning Toro Muerto (Peru) Toro Muerto Paul Bahn’s report 2nd International Congress Cochabamba Call for sessions proposals Rock art studies: NEWS of the world I Call for papers TRACCE Online Rock Art Bulletin 8 – Jul 1997 General Information Affiliated events Round Table Rock Art in the world of the school Microbiology and protection Valcamonica, analisi delle tecniche di incisione Proposta di metodologia Computer techniques applied to Rock Art DNA in rock art Discovery of rock paintings in Val Camonica The map of Bedolina, Valcamonica Rock Art Valcamonica, architectural representations Nuovi siti con incisioni rupestri in Valle Camonica L’arte rupestre di Campanine (Valcamonica) Paspardo, Valcamonica. Ricerche 1990-97 A Copper Age ceremonial site in Val Camonica The “Camunian Rose” in Valcamonica rock art Axes on Valcamonica and Valtellina stelae “Praying figures”, chronology and interpretation Simboli solari ? Attenzione alle macine incompiute! Settlements in topographic engravings Nuove pitture rupestri nelle Alpi Occidentali Valcamonica and Valtellina Rock Art, sun images Valtellina, ultime ricerche de Le Orme dell’Uomo Alpi Occidentali, gli ultimi studi di Arte Rupestre L’arte rupestre della Valtellina Centrale – C L’arte rupestre della Valtellina Centrale – B L’arte rupestre della Valtellina Centrale – A Deposizioni di armi durante l’età del Bronzo Weapons in Bronze Age Rock Art Sistemi di aratura in ambito alpino Incisioni rupestri in Valvarrone Meaning in the rock-engravings of Mont Bégo La roccia degli stambecchi Rio Sabor Rock Art discovery Rock-Carvings from the Geghamian Range Prehistoric paintings in the Val De Varri’s cave La Gardette, sky-line at 125° N Nuove figure schematiche antropomorfe Bronze Age sculpted caves in the Périgord Côa Valley three years after Giocare sulla pietra Preliminary Report Pattern and Function at Jeffers Petroglyphs Elementi della tradizione iniziatica La via delle Aquane 1997 Congress timetable 1997 Congress pre-acts: index TRACCE Online Rock Art Bulletin 9 – Oct 1997 Sub-Saharan Rock Art The Trowel and the Drum Orientalizing motives in alpine rock art Petroglyphs dated in Central Bolivia The conclusion of the rock art survey (part *) A conclusão do levantamento de arte rupestre Rock Art in the Himalayas Looking Back at Four Years of Advocacy The Man of Bicorp The motif of the “Camunian Rose” The Swastika Stone The Sword on the Rock International Prehistoric Art Conference Rock and Roll with the Camunnians Walking on the Rock Art Paths Sui Sentieri dell’Arte Rupestre Discovering the Past Alla scoperta del nostro passato TRACCE Online Rock Art Bulletin 10 – May 1998 Computers and Rock-Art session Quantitative Assessment of Rock Art Recording Digital Image Processing Digital auto-tracing Digital auto-tracing (inline PPT to PDF) Recording British Rock Art Printing Digital Images Figures of boat in the rock art of Valcamonica Depictions of nine men’s morris Rock Art in Russian Far East and in Siberia Conservation Project of Rock Art The conclusion of the rock art survey (part **) A conclusão do levantamento de arte rupestre Rupestre – Rock Art In Colombia Rupestre – Arte Rupestre en Colombia TRACCE Online Rock Art Bulletin 11 – Feb 1999 Alpine Rock Art Screen Saver Drawings from the summer ’99 fieldwork La Galleria d’arte – The Art Gallery Arte Rupestre e Didattica Les Routes du Tissu Le Vie del Ferro, Iron Ways, Les Routes du Fer A rock record in the western Alps Paspardo, two recently discovered rocks Paspardo, due nuove rocce istoriate Two enigmatic petroglyphs on Fuerteventura Palaeolithic Rock Art in the Austrian Alps? Nuevas pinturas rupestres en Extremadura Archaeology of the Côa Valley Grotte Chauvet Archaeologically Dated Hong Kong, Wong Chuk Hang rock carving Ancient Rock Carvings of Hong Kong Industrialization versus rock art Why the Eland? The Book of Stars Karedaran – the computer database of rock art NEWS ’95 – International Rock Art Congress EuRockArt email list Utah Rock Art field School Summer 2000 Valcamonica Fieldwork 2000 Rock Art in Africa Symposium Simposio de Estética y Arte Rupestre II Aesthetics and Rock Art II Symposium Recording Symposium Third AURA Congress Establishment of a Global Archive Solidarity for Archaeologist Appeal TRACCE Online Rock Art Bulletin 12 – Feb 2000 Los Molinos de Cheles Guadiana rock art gallery – Portuguese side Guadiana rock art gallery – Spanish side Alqueva SOS petition Minimisation? It works (IMHO)! Alqueva Dam in southern Portugal The LINKS page European project statement A posição do IFRAO The IFRAO position UISPP motion for the Guadiana rock Art The plight of Portuguese rock art Portugal: damned dams again The Molino Manzanez site Guadiana last day 8.2.2002 – Black Day for Rock-Art TRACCE Online Rock Art Bulletin 13 – Apr 2001 The EuroPreArt database system EuroPreArt, the project Save Dampier rock art Rock Carvings in the Borderlands Guide of Good Conduct to Prehistoric Art Manual de arte rupestre de Cundinamarca Le rocce segnate Urgent assist: petroglyphs The rhombus: a very frequent rock art sign Arte schematica e coppelle L’analisi delle configurazioni di coppelle Analisi probabilistica delle “Rose” di Sellero Bhimbetka cave paintings (India) Jean Clottes no Porto Breakthrough for Dampier rock art November 8 1994: Côa Valley, a date to remember Archeoastronomia, Paleoastronomia e Megalitismo Discovering Southern African rock art Dams and Rock Art: a match made in hell The risks of the new Italian act A diabolical metamorphosis TRACCE Online Rock Art Bulletin 14 – Nov 2002 Censimento delle incisioni rupestri della Bessa Intensive Course on European Prehistoric Art TRACCE Online Rock Art Bulletin 15 – Mar 2003 La Roccia falsaria Hannibal was here Manzanez mill rock art: a destroyed sanctuary Dating and (up)dating Valcamonica rock art Preservation of Rock Art How do we recognise rock art? Perché hanno fatto le coppelle? MEGART – The Megalithic Art of… TRACCE Online Rock Art Bulletin 16 – Aug 2003 Quebrada de Santo Domingo: save geoglyphs Urgent Rock Art Sos – FUMHAM Rock Paintings and engravings in Namibia TRACCE Online Rock Art Bulletin 17 – Dec 2003 Australian Rock art tour 2004 New Megalithic Portal features Ancient Visions: the Tukudika People petroglyphs La Pera Cunca ed il Truchet Quebrada de Santo Domingo update Jornadas Transmontanas de Arqueologia TRACCE Online Rock Art Bulletin 18 – Mar 2004 New Website on Rock Art in Bolivia Nuevas representaciones de arte paleolítico Encuentro Arte Rupestre PERU Oxalate conference – call for papers TRACCE Online Rock Art Bulletin 19 – Jul 2004 Big Problems this Summer for American Rockart! Warriors and duels in Valcamonica rock art Valcamonica, vandalismo! Rock art and archaeology in Syria Montpedrós Rock Art TRACCE Online Rock Art Bulletin 20 – Jan 2005 Osservazioni su un sito nei pressi di Finale Ligure La Spada sulla Roccia – a new rock art book La castagna della Vallecamonica Sui Sentieri dell’arte rupestre – again available Sentinelle di Pietra – Stone guards TRACCE Online Rock Art Bulletin 21 – Mar 2010 Valcamonica Archaeology-Rock Art Fieldwork Manufatti Litici del Castelliere di Verezzi Arma Strapatente: struttura megalitica TRACCE Online Rock Art Bulletin 22 – Sep 2010 Alpi Occidentali, quadro generale … L’arte rupestre in Valle d’Aosta… Cavour, deturpate le pitture rupestri neolitiche L’arte rupestre delle Alpi occidentali ed orientali… Valcamonica-Valtellina: the state of research Il Riparo Sotto Roccia di Pian del Ciliegio TRACCE Online Rock Art Bulletin 23 – Jan 2011 Pietre incise e arte rupestre Following Arianna’s Thread Symbolic Figures The rock art tradition of Valcamonica-Valtelllina TRACCE Online Rock Art Bulletin 24 – Dec 2011 Paspardo: le raffigurazioni topografiche Statue stele del gruppo Valcamonica-Valtellina Rock art in the western Alps: research, methods… “Praying figures” in Valcamonica rock art TRACCE welcome pack – book offer TRACCE is back again – TRACCE ritorna Gavrinis, une approche multiscalaire Valcamonica, 2012 Rock Art Fieldwork & Field School 2012: archeologia rupestre a Paspardo, Valcamonica TRACCE Online Rock Art Bulletin 25 – Mar 2012 The Dolmen at Monticello near Finale Ligure The strange case of snow-circles and cup-and-rings Valcamonica&Valtellina, novità dalla ricerca Mappe di Pietra – Stone Maps Archaeology in Finalese Area (Western Liguria) Alle origini dell’arte Topografiche: culture e colture, potere e poderi… TRACCE Online Rock Art Bulletin 26 – Jul 2012 Looking at Ubaye petroglyphs with a candid eye Megalitismo e nuove ipotesi di ricerca Piero Barocelli, a rupestrian archeology pioneer TRACCE Online Rock Art Bulletin 27 – Dec 2012 TRACCE 2012 top 100 Croci cristiane rupestri Oukaimeden, a Moroccan rock art site Entre Mont Bego et Val Camonica L’età del Rame – The Copper Age Rupestreweb, 17 new papers online Megalitismo in Val Ceresio Valcamonica, 2013 Rock Art Fieldwork & Field School TRACCE Online Rock Art Bulletin 28 – Jan 2013 Le rupi scolpite delle Alpi Marittime (Issel 1901) I laghi delle Meraviglie e Fontanalba (Celesia 1886) Alpi Marittime. Escursioni ai monti… Bego (Ghigliotti 1884) Iscrizioni simboliche, Lago delle Meraviglie (Prato 1884) Iscrizioni simboliche preistoriche (Navello 1884) Gravures sur roches, Lacs des Merveilles (Rivière 1879) Étude sur les sculptures préhistoriques (Blanc 1878) Une excursion aux Lacs des Merveilles (Henry 1877) Sculptures préhistoriques, Merveilles (Clugnet 1877) The Meraviglie (Moggridge 1869) Voyage aux alpes Maritimes (Foderé 1821) Corografia delle Alpi Marittime (Gioffredo 1660, 1839) Mount Bego, XIX century research history TRACCE Online Rock Art Bulletin 29 – Mar 2013 The Carcancha and the Apu Rock Art Studies Bibliographic Database updated Il Finalese: commerci e cultura megalitica nella preistoria Giornata della Preistoria – Prehistory day Danni alla Pera ‘d la Spina – The Thorn Rock damaged The Ibexes Rock Rupestreweb, May-August 2013 new papers online Taurini Celtic tribe meets Roman Legion at Turin TRACCE Facebook posts April-June 2013 TRACCE Online Rock Art Bulletin 30 – Jun 2013 Testimonianze megalitiche presso lo Sparossino BEPA, online i primi due numeri Palaeolithic rock engravings at Vermelhosa Elephas antiquus depicted at Vermelhosa rock art? The Motocachy Pampa Disaster, Peru Valcamonica, 2014 Rock Art Fieldwork & Field School La scoperta del riparo di Morricone del Pesco Prehistory popularisation: a de profundis? TRACCE Online Rock Art Bulletin 31 – Mar 2014 Valcamonica, Museo Nazionale della Preistoria Chenal: il riparo inciso – the engraved shelter 2014 IFRAO Guiyang Congress Chiza, Interpreting Digitally Restored Petroglyphs Le manifestazioni del sacro e l’età del Rame Ricerca in Valcamonica, quale futuro? The Felines of Foum Chenna, Morocco TRACCE Online Rock Art Bulletin 32 – May-Jul 2014 Bric Ercea, Finalese, petroglifi e manufatti litici Saint Vincent, nuove incisioni rupestri preistoriche Bulgarian rock art: the Madara rider Magura cave photogallery CAA 2015, computer and rock art studies Magura Cave paintings, Bulgarian rock art Arte rupestre australiana: conferenze TRACCE Online Rock Art Bulletin 33 – Nov 2014 Reflecting (on) Petroglyphs: Two Cases FB and rock art serendipity 1 I’M CHARLIE La Grotte Chauvet-Pont-d’Arc (EuroPreArt) Valcamonica Symposium 2015 Chenal shelter, six thousand years of iconography 15 years of Rupestreweb, 12 new papers online Podomorfos, footprints, pediformi, pédiformes Signs of Infinity at Aït Ouazik, Southern Morocco Valcamonica, Rock Art Fieldwork 2015 Chauvet-Pont d’Arc cave, grand opening! TRACCE Online Rock Art Bulletin 34 – Dec 14/Feb 2015 AaATec, a resource for archaeological communication Photogrammetric techniques at Campo Lameiro, Galicia Archaeoacoustics of rock art 3D scan, a support for Petroglyph analysis Extensive rock-art panels, computer aided recording Rock-art photometric Stereo 3D visualizations Great Rock of Naquane, digital practices Northern Scandinavia rock paintings: NIR analysis Biological activity tracking on cave art sites Spanish rock-art documentation, the ARAM project Chile, Photographic recording and digital enhancement TRACCE Online Rock Art Bulletin 35 – Mar 2015 Maroc, programme “Paysages Gravés” Phaistos Palace, kernoi photogallery Phaistos Palace, mason’s marks photogallery L’arte rupestre dell’età dei metalli Phaistos, Crete, cup-marks and other signs Latmos Mountains (Turkey), endangered rock paintings Rock Art at Ischigualasto, and more … Mt. Bego, a rediscovered manuscript New Anthropomorphic Figures from Jebel Rat Save Mount Latmos rock art! (petition) TRACCE Online Rock Art Bulletin 36 – May 2015 Val Meraviglie e Fontanalba – Tavole (Barocelli 1921) Footprints in the Alps – pediformi nelle Alpi The Case of Guelta Oukas, Morocco Rock Art in Jebel Akhdar, Oman Val Meraviglie e Fontanalba (Barocelli 1921) Maçaõ: The art of Prehistoric societies CAA 2016, call for papers AsTrend, ancient carvings enhanced The Potash Sheep Shifters Seradina 12, Valcamonica, 83 years of research Usseglio, Alpine cults, archaeology and rock art TRACCE Online Rock Art Bulletin 37 – October 2015 The Avian Staff Bearer Valcamonica, fieldwork 2016 El Arpa en el Arte Rupestre Andino Icons That Travel TRACCE Online Rock Art Bulletin 38 – May 2016 Water supply of the fortress Gala Abu Ahmed Piovono capre: i capridi nell’arte rupestre dell’Iran Rock art across Australia Facies locorum – paesaggi e arte rupestre La paura del ritorno: sepolture “anomale”… Valcamonica, fieldwork and lectures summer 2016 TRACCE Online RA Bulletin 39 special issue – July 2016 Try this! Cup-marks gigapano Roccia dei Giochi, Roccia di Giove Sobre Dibujos de Arte Rupestre (Andino) Coppelle, per Giove! Visita virtuale al Ròch dij Gieugh The Frontal Insignia-Tumi Kuntur Wasi, Peru: Architectural Art or Rock Art ? Los Bordes Aserrados de las Rocas de Chuquillanqui, Perú L’arte rupestre di Böyük Daş in Gobustan, Azerbaijan The Petroglyphs of Chumbenique, Zaña, Peru TRACCE Online Rock Art Bulletin 40 – December 2016 Los Petroglifos de Tintín, Sihuas, Arequipa, Perú IFRAO 2018: invito a presentare sessioni IFRAO 2018: call for session proposals Roccia dei giochi, il libro Learn rock art: Valcamonica fieldwork 2017 Naquane, festa dei musei TRACCE Online Rock Art Bulletin 41 – May 2017 Petroglifos Únicos en Ariquilda, Chile Petroglifos en Yarabamba, Perú: ¿Aplacandos los Apus? Up-Dating the Rock Art of Quebrada del Felino, Peru Actualización del arte rupestre en la cuenca del río Virú PERSONAJES DE RANGO Y EMBLEMAS DE PODER – PERÚ Actualización del arte rupestre de Cojitambo, Perú Aiapaec in Andean Rock Art ? Un Sitio Rupestre Poco Conocido en Chicama, Perú ‘Petroglifos’ Aviformes Tridimensionales (Perú) Una Actualización del Arte Rupestre de Mayasgo-1 (Perú) TRACCE Online Rock Art Bulletin 42 – December 2017 Una Actualización del Arte Rupestre de Chumbenique – Perú Una Actualización del Arte Rupestre del Cerro la Puntilla, Perú Valcamonica fieldwork 2018, join rock art! The ‘Trophy-Bird’ of Alto de Pitis Indifferent Obliteration of Petroglyph Art Long Distance Diffusion of Rock Art Motifs in the Americas The Saluting Anthropomorph in the Rock Art of the Americas Balma dei Cervi, educational booklet The Ranaldi Shelter in Basilicata (Italy) TRACCE Online Rock Art Bulletin 43 – December 2018 Valcamonica fieldwork 2019, again rock art! The Cupules of the Imaoun Complex, Southern Morocco Benvenuti a Crodo, welcome to Crodo! Balma dei Cervi, archaeology and research Balma dei Cervi, at the roots of our prehistory Balma dei Cervi, make-up a story about… Balma dei Cervi Virtual Museum, inauguration Calling Cards: a New Plains Rock Art Site Type The Incomplete Versus The Unfinished Cuevas con arte rupestre Paleolítico en Cantabria TRACCE Online Rock Art Bulletin 44 – July 2019 Enigmatic Configurations in Arequipa Rock Art, Peru The Rock Art of El Vagón – Moche Drainage, Peru A ‘Unique’ Petroglyph Scene in Southern Morocco Valcamonica Rock Art Fieldwork 2020 TRACCE Online Rock Art Bulletin 45 – December 2019 Quadruped animals and spirals The Three Rivers 3D Masks Enfrentando los dibujos… ¡otra vez! (Perú) Defecating Elephants in Messak Rock Art – An Anomaly? Valcamonica rock art in 20 minutes L’arte rupestre della Valcamonica in 20 minuti Naquane, Valcamonica, la Grande Roccia Naquane, Valcamonica, the Great Rock Valcamonica, visita la Grande Roccia ! Valcamonica, visit the Great Rock ! Les cavaliers dans l’art rupestre. Le cas du Maroc TRACCE Online Rock Art Bulletin 46 – October 2020 L’arte rupestre schematica del Riparo Ranaldi False Information Concerning Majes Rock Art, Peru Filippo Gambari, archeologia e arte rupestre New “Carcancha” Petroglyphs in Arequipa, Peru Progetto Cer.Val. – Cervidi della Valcamonica L’Antece degli Alburni, condottiero o divinità? Wishes from Naquane Great Rock Feline Petroglyphs in the Majes Valley, Peru Guardando i monti e i passi Cervidi in Valcamonica e nelle Alpi The Enigma of the “Feathered Homunculus”, Peru Serrated Edges in Rock Art Valcamonica Symposium 2021 Contextualising the Geoglyph of Huacán, southern Peru New Pictographs at Guatin – Northern Chile War and Weapons in Majes Style Rock Art? The Cíceras “Carcancha-Bird” Petroglyphs – Majes, Peru Valcamonica Rock Art Fieldwork 2021 Petroglyphs and a New Geoglyph in the Sama Valley Palamenco and the Shooting Male Updating the Rock Art near Huaca Blanca, Peru The Rock Art of La Caldera, Southern Peru Why Selecting Mollebaya Chico ? The Status of Sector-X – Toro Muerto, Peru Il Ciappo di Varegina – Finale Ligure The Petroglyphs of Cuesta de la Pachana and Miraflores The Rock Art Site of La Laja – Peru Vítor Valley Rock Art Sites: Tacar El Arte Rupestre del Valle de Huarmey Los Petroglifos de Purunhuasi, Perú Los Petroglifos de Pariacha, Perú Vandalism and Falsification of Rock Art The Mislaid Beringa Petroglyph Quebrada de La Tuna – Southern Peru The Case of Boulder AP1-001, Alto de Pitis, Peru. Music in Majes Valley Rock Art, Peru A New Petroglyph Site in the Palpa Valley The Origin of the Cochineros Bird The Petroglyphs of Cerro San Diego, Peru The Case of Boulder AP3-172, Majes, Peru Rock Art at Punta Colorada, Majes, Peru Rock Art at Torán, Majes Valley, Peru Vivere con l’arte rupestre nelle Alpi Paolo Emilio Bagnoli and photometric 3D applied to rock art The Case of Boulder AP3-060, Alto de Pitis, Majes Valley Personaggi dell’arte rupestre della Valcamonica: Raffaello Battaglia Personaggi dell’arte rupestre della Valcamonica: Jack Belmondo Personaggi dell’arte rupestre della Valcamonica: Battista Maffessoli Personaggi dell’arte rupestre della Valcamonica: Giovanni Marini Personaggi dell’arte rupestre della Valcamonica: Giovanni Marro Personaggi dell’arte rupestre della Valcamonica: Emanuele Süss The Case of Boulder AP3-098, Alto de Pitis The “Camelines” of Toro Muerto Majes Rock Art – evaluating a thesis A Study of Boulder AP3-065 – Peru The Archers of Oum el Aleg, Morocco The Petroglyphs of Jebel Youmkat, Morocco Petroglyphs of Tizounine. Southern Morocco Petroglyphs of Imaoun-3A – Southern Morocco Petroglyphs of Tourirt-n-Tislatine – Morocco Imaoun – Morocco: the Venus Cross Animated Abstracts in Majes Rock Art Commenting on Rozwadowski and Wołoszyn A New “Venus” Cross Petroglyph New “Snake” Petroglyphs – Vítor Valley, Peru “Trophy” Head # 42 at Toro Muerto? Petroglyphs at Cerro Mal Paso, Peru The Cupules of Cerro La Cal, Peru El Vagón Violated (Peru). The Rock Art Site of Calartoco – Chile A Petroglyph Panel at Chillihuay, Peru.

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