TRACCE no. 11 – by Angelo Fossati
The boat is one of the most rare figure in the rock art of Valcamonica. At this stage of the research there are two types of boats: one represents a real boat; another a mythical craft.
TRACCE no. 11 – by Angelo Fossati
The boat is one of the most rare figure in the rock art of Valcamonica. At this stage of the research there are two types of boats: one represents a real boat; another a mythical craft.
TRACCE no. 10 – by Don A. Sina school, Esine
Alla scoperta del nostro passato. Esperienze didattiche in Valcamonica.
Tra le attività della Cooperativa Archeologica Le Orme dell’Uomo la didattica riveste un ruolo particolarmente importante, in quanto la diffusione della conoscenza dell’arte rupestre deve avere inizio nelle scuola. Read more
TRACCE no. 10 – by Don A. Sina school, Esine
Discovering the Past – A la découverte de notre passé – Educational experiences in Valcamonica.
Among the activities of the Archaeological Cooperative Society Le Orme dell’Uomo the educational programmes are very important: the communication of the rock art knowledge must begin in the schools. Read more
TRACCE no. 10 – by Andrea Arcà
Sui Sentieri dell’Arte Rupestre. Laboratorio didattico per scuole elementari e medie.
Il laboratorio “Sui Sentieri dell’Arte Rupestre” si prefigge due scopi principali: avvicinare i bambini e i ragazzi alla preistoria; educare all’immagine tramite lo studio dell’iconografia rupestre. Read more
TRACCE no. 10 – by Andrea Arcà
Walking on the Rock Art Paths. educational workshop with elementary and middle schools
The workshop “Walking on the Rock Art Paths” has two main purposes: to bring the children nearer to prehistory; to educate to the image through the study of rupestrian iconography. Read more
TRACCE no. 10 – by Fieldwork participants
Rock and Roll with the Camunnians. Did they have ladders in the prehistory?
The slopes beneath the Village of Paspardo are steep, very steep. Far below is the River Re, and high up are the ruins of a mediaeval castle… Read more
TRACCE no. 10 – by Paola Farina
The motif of the “Camunian Rose” in the rock art of Valcamonica (Italy) part **.
In the past the scholars proposed some hypotheses about the meaning of the “Camunian rose”, engraved on several rocks in Valcamonica… Read more
TRACCE no. 10 – by † Burchard Brentjes
Orientalizing motives in alpine rock art.
The rich ensemble of rock art in the Valle Camonica comprises several motives for which oriental parallels could be mentioned. Read more
TRACCE no. 9 – by Camuri – Musitelli
2nd International Congress of Rupestrian Archaeology
2-5 October 1997 DARFO BOARIO TERME
La via delle Aquane – itinerari nella sacralità dell’acqua.
Come il vischio si abbarbica alla quercia, talvolta toponomastica, leggende, vita dei santi, crescono sul ceppo antico dell’arte rupestre.
TRACCE no. 9 – by Maria Cristina Citroni
2nd International Congress of Rupestrian Archaeology
2-5 October 1997 DARFO BOARIO TERME
Elementi della tradizione iniziatica sciamanica in alcune incisioni rupestri della Valcamonica.
In questa analisi si vogliono leggere alcune incisioni rupestri della Val Camonica alla luce del loro significato simbolico.
TRACCE no. 9 – by Antonio Bellati
2nd International Congress of Rupestrian Archaeology
2-5 October 1997 DARFO BOARIO TERME
La Valvarrone è una valle incassata tra le Prealpi Orobie occidentali sita immediatamente a sud del Grande Solco vallivo valtellinese che affianca fino all’altezza di Morbegno.
TRACCE no. 9 – by Gaetano Forni
2nd International Congress of Rupestrian Archaeology
2-5 October 1997 DARFO BOARIO TERME
Tipi di attiraglio, sistemi di aratura e generi di carriaggio prima e dopo la rivoluzione del ferro in ambito alpino.
L’analisi delle incisioni rupestri della Valcamonica e del Monte Bego, è una fonte inesauribile di informazioni sul genere di vita e le tecnologie agrozootecniche.
TRACCE no. 9 – by Angelo Fossati
2nd International Congress of Rupestrian Archaeology
2-5 October 1997 DARFO BOARIO TERME
Weapons in Bronze Age Rock Art: votive hoards and initiation rites in the Alps. Ideas for a preliminary discussion.
One of the peculiarity of the rock art in the Alps is the presence of weapons in the iconographical context.
TRACCE no. 9 – by Silvana Gavaldo
2nd International Congress of Rupestrian Archaeology
2-5 October 1997 DARFO BOARIO TERME
L’arte rupestre della Valtellina Centrale (Sondriese e Valmalenco).
La cittadina di Tresivio è già nota al mondo archeologico per il rinvenimento di una stele con iscrizione in alfabeto nord-etrusco…
TRACCE no. 9 – by Gaia Iandelli
2nd International Congress of Rupestrian Archaeology
2-5 October 1997 DARFO BOARIO TERME
L’arte rupestre della Valtellina Centrale (Sondriese e Valmalenco).
Ad Andevenno di Castione, su un dosso molto dominante, si affacciano due rocce con un’ottantina di figure antropomorfe…
TRACCE no. 9 – by A. Arcà, A.Fossati, E. Marchi, E. Tognoni
2nd International Congress of Rupestrian Archaeology
2-5 October 1997 DARFO BOARIO TERME
L’Arte Rupestre della Valtellina nelle ultime ricerche de “Le Orme dell’Uomo”
Il completo rilevamento delle 5454 incisioni della Rupe Magna di Grosio, effettuato dagli studiosi de Le Orme dell’Uomo, non ha segnato la fine delle ricerche nell’area della Media ed Alta Valtellina…
TRACCE no. 9 – by Elena Marchi
2nd International Congress of Rupestrian Archaeology
2-5 October 1997 DARFO BOARIO TERME
The sun images in the Rock Art of Valcamonica and Valtellina.
The first images of the sun in the rock art of Valcamonica and Valtellina are engraved on the menhirs of the Copper Age…
TRACCE no. 9 – by Andrea Arcà
2nd International Congress of Rupestrian Archaeology
2-5 October 1997 DARFO BOARIO TERME
Settlements in topographic engravings of Copper Age in Valcamonica and Mt. Bego Rock Art .
Whoever should aim at finding points of contact between the two greatest “poles” of Alpine rock art would find a fertile battle-ground in the so-called topographic engravings…