Spiritualità ed interpretazione della tradizione aborigena australiana, dalle origini al mondo contemporaneo. Due conferenze di Marisa GIORGI (Information Officer del Brisbane Queensland Museum) per presentare la spiritualità originale degli aborigeni e per capire perché abbiano un interesse per la protezione dell’arte rupestre in merito alla loro identità e all’interesse economico per il turismo.
– Venerdì 21 novembre 2014 ore 21
bibioteca Civica di Cerveno (Valcamonica)
– Venerdì 28 novembre 2014 ore 17
presso la sala della biblioteca regionale di Aosta. Read more
Archive for TRACCE Onl. RA Bull. WP issues
Arte rupestre australiana: conferenze
Magura Cave paintings, Bulgarian rock art
Situated in north-western Bulgaria, and managed by the Belogradchik municipality, the Magura cave (Пещера МАГУРА) is, with the Porto Badisco cave (south Italy), the most important European post-Palaeolithic painted cave. Hundreds of dark brown figures are diffused along an astonishing underground Art Gallery: hunting, dancing and mating scenes, bi-triangular female silhouettes, axes, solar symbols… a prehistoric iconographic treasure which definitely deserves a special attention. [Text and photogallery]
by Andrea ARCÀ
CAA 2015, computer and rock art studies
The Call for Papers for the 43rd International Conference on Computer Applications and Quantitative Methods in Archaeology (CAA 2015) is open. You may submit your abstract for the Session 3C, Computer and rock art studies: data collection, interpretation and communication. Deadline november 20th 2014.
Magura cave photogallery
The Bulgarian Magura cave is well known for its impressive prehistoric paintings, scattered along an astonishing and dreamy 240 m long underground diverticulum, for which its Art Gallery is really worth a visit. More than 750 darkish figures have been counted, made with bat guano, smeared or rubbed along the cave walls; on the curvy shaped vaults and niches, white or yellowish “plastered” by the nature, we can recognise dancing, hunting, and mating scenes, and organise the figures into four thematic groups: anthropomorphic, zoomorphic, geometric, and symbolic signs. [Text and photogallery]
by AA
Bulgarian rock art: the Madara rider
![Madara_horse150](https://www.rupestre.net/tracce/wp-content/uploads/2014/11/Madara_horse150.jpg)
Madara rider
The Madara rider is a unique monument of the ancient Bulgarian art. Its popularity is immense in Bulgaria and since 1979 it has been included in the UNESCO World Heritage list. The high-relief depicts a rider on his stallion accompanied by a dog. A dead lion is carved under the horse and some inscriptions in Greek all around. The scene celebrates the founding of the Bulgarian state by the Khan Asparukh (680-700 AD). The Madara rider is the only European rock carved monument from the Early Middle Ages. [Text and photogallery]
by rupestre
Saint Vincent, nuove incisioni rupestri preistoriche
New important prehistoric rock carvings have been found by Eusebio Imperial of the S.Va.PA.– Société Valdôtaine de Préhistoire et d’Archéologie. Among them ibexes and fringed figures. Here a preliminary report by A.E. Fossati. Relazione di A.E. Fossati sulle nuove importanti incisioni rupestri preistoriche con stambecchi e figure frangiate scoperte in Valle d’Aosta.
by A. E. Fossati
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Bric Ercea, Finalese, petroglifi e manufatti litici
Il Bric Ercea è un rilievo posto a sud di Bric Pianarella, facilmente raggiungibile dalla località di Monticello e di San Bernardino, presso Finale Ligure.Viene descritto il sito con i reperti litici, i rapporti con vicine strutture di analogo significato, con riferimenti a possibili interessamenti archeologici ed archeoastronomici. Segue una discussione sulle ipotesi di datazione e di utilizzo dei ritrovamenti.
by A. Pirondini, G.P. Bocca, F. Pirondini,
C. Pirondini, C. Villa
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The Felines of Foum Chenna, Morocco
Depictions of cats in rock all over the world art are frequently characterised by specific feline properties. The feline images at the petroglyph site of Foum Chenna in southern Morocco are much less idiosyncratic. Besides a general description of the rock art site of Foum Chenna, the current paper attempts at a re-evaluation of the image of the feline at Foum Chenna, simultaneously trying to fit the image into a chronology of Moroccan rock art.
by Maarten van Hoek
Ricerca in Valcamonica, quale futuro?
Tavola rotonda tra ricercatori e rappresentanti delle Istituzioni sul futuro della ricerca in Valcamonica, arte rupestre e non solo, Breno 20 giugno 2014.
Which future for the research in Valcamonica? June 20 2014, round table at Breno (Valcamonica, I), discussion among researchers and governmental representatives.
by Valcamonica rock art
Le manifestazioni del sacro e l’età del Rame
The manifestations of the sacred and the Copper Age in the Alps and in the Po Valley, archaeological congress a Brescia (I), with emphasis on funerary rituals and rock art and statue stelae symbolism. Convegno archeologico 23 e 24 maggio 2014, Brescia, con approfondimenti sui rituali funerari che caratterizzano questo periodo e sul simbolismo dell’arte rupestre e delle statue-stele coeve.
by Manifestazioni del Sacro
Chiza, Interpreting Digitally Restored Petroglyphs
The goal of this paper is to offer the interested reader a digital restoration and interpretation of the images of a vandalized petroglyph boulder located in the Atacama Desert, northern Chile. Its damaged face underscores the urgent necessity to ([photo])graphic record rock art sites in general. It is hoped that very soon a complete survey will be made of the Chiza petroglyph site and that the official survey will be made available to rock art researchers.
by Maarten van Hoek
2014 IFRAO Guiyang Congress
With the rapid economic development in China and the increasing influence of the Chinese culture, China is ready to be the new host of the IFRAO (International Federation of Rock Art Organisations) world Congress. Congress Date: July 16-18, 2014 (July 15 for registration). Congress Venue: Guiyang Pullman Hotel. Guizhou Province, located in the center of the Southwestern China, is rich in the resources of rock art and facilitates rock art investigation with its convenient transport.
by the organizing Committe Office
Chenal: il riparo inciso – the engraved shelter
Una recente scoperta: le più antiche figure post-paleolitiche dell’arte rupestre alpina. A recent discovery: the most ancient post-palaeolithic figures of the alpine rock art. Venerdì 9 maggio 2014 ore 17.30 presentazione pubblica ad Aosta; Friday, May 9, 2014 5:30 p.m. public presentation at Aosta (I).
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by A. Arcà, D. Daudry, A. Fossati, F. Morello, L. Raiteri, L. Bornaz
Valcamonica, Museo Nazionale della Preistoria
Sabato 10 maggio 2014 inaugurazione del MUPRE – Museo Nazionale della Preistoria a Capo di Ponte, che integra la musealizzazione del patrimonio iconografico della Valcamonica con quella dei contesti e dei reperti archeologici. Saturday, May 10, 2014 inauguration of MUPRE – National Museum of Prehistory in Capo di Ponte, which integrates the exhibit of the Valcamonica iconographic heritage with the archaeological contexts and findings
by MUPRE
Prehistory popularisation: a de profundis?
Two recently published archaeology books, mainly or partially concerning cave art, show a set of inaccuracies which doesn’t seem acceptable, not only for a specialised scientific level, but also for an educational one. The lack of a review process performed by professional archaeologists demonstrates the weakness in Italy, and not only, of the archaeologist profession, particularly in the prehistoric and rock art fields.
by R.C. de Marinis
La scoperta del riparo di Morricone del Pesco
Recenti ricerche condotte dalla Cattedra di Paleoantropologia dell’Università degli Studi di Ferrara hanno portato, nella primavera del 2011, all’individuazione nella regione Molise di un riparo sotto roccia con incisioni a linea continua e pitture rupestri, tutte di colore nero, che hanno permesso di stabilire un confronto crono-culturale con l’Abruzzo e il Gargano pre-protostorici
by Dario Sigari